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Home > Playbills > Bluebeard

Bluebeard

October 10, 2021 by

An image of a Playbill Card - On the top rests the Bluebeard Logo followed by the text "A piece by Kailey Rhodes and Samson Syharath" all of this is overlayed on a hazy image of a car with limbs sticking out of the back. Below the image of the car the text reads "Starring" in blue, followed by the names of the cast: Lane Barbour, Claire Rigsby, Elsa Dougherty, Kailey Rhodes, Ty Hendrix, Rachel Lindsey Routh, Tyler Andrew Jones, Samson Syharath" Below this text another set of blue text reading, "Crew/Production Team" followed by the names of the crew and production team: Director - Kailey Rhodes, Assistant Director - Samson Syharath, Technical Director & Production Manager - Jim Ricks-White, Stage Manager - Ephriam Harnsberger, Production Designer - Signe Larsen, Costume Designer - Josie Seid, Assistant Stage Manager - Elizabeth Swetland, Master Electrician - Lilian Wakefield, Run Crew - Kenesaw Denham and Parker Kelson, Artistic Director - Cassie Greer, manager Director - Beth Lewis, Operations Manager - TS McCormick, Box Office Manager - Elliot Lorenc" Following these lists is the remaining text, "generously sponsored by Linda Morrison & Andrew Hoffmann. This performance lasts approximately 1 hour with no intermission. The 2021-2022 Season is presented by Ronni Lacroute. This show is sponsored in part by Ralph & Marilynn Helzerman." END OF DESCRIPTION

SPECIAL THANKS

Aurore Giguet

Lena Toney

The Staff of the Rice Northwest Museum of Rocks and Minerals

Keeping track of who sees our shows provides critical data for our funders, and ultimately enables us to secure greater financial support.

Help us out by taking this brief, anonymous survey!

Cast Bios

Lane Barbour (they/them)

Lane Barbour
Company Member

Lane is thrilled to join Bag & Baggage for the first time in this wild production. They received their BFA in Bachelor Performance in 2019 and was an Acting Apprentice at Portland Playhouse for their 2019-2020 season. They have been seen in The Wolves, Women of Will, and A Christmas Carol at the Portland Playhouse, Stop Motion! at Broken Planetarium Theatre, and is a founding member of Witch Hunt Theatre. They are represented by ZTA Agency. When not creating theatre, they can be found playing with their two rescue dogs, teaching a wild group of 5th graders, and spending time with their lovely fiance, Ash.

Elsa Dougherty (she/her)

Elsa Dougherty
Company Member

 Elsa holds a Bachelor of Arts in Music from Lewis & Clark College and is an alumna of The Institute for Contemporary Performance. This is Elsa’s first show with Bag&Baggage. Favorite past projects include Mrs. Lovett in Sweeney Todd; directing new work such as ab intra and R.E.M.; soloing in Mozart’s Mass in C Minor; and singing anything by Tchaikovsky. Elsa enjoys exploring extended voice techniques as a way of communicating personal and shared histories. She is forever grateful to her slew of teachers and mentors including Sue McBerry, Kathy FitzGibbon, Rebecca Lingafelter, Amber Whitehall, and Cristi Miles.

Ty Hendrix (he/him)

Ty Hendrix
Company Member

Ty received a BA in Philosophy and Political Science from the University of Oregon. This is his second production with Bag&Baggage, last performing in A Clockwork Orange during their 2019 season. He feels lucky to have participated in a few projects over covid lockdowns this past year, filming Romeo and Juliet and A Midsummer Night's Dream with The L.A. Troupe. Ty is also involved with community theatre in Salem; working with Pentacle Theatre and The Verona Studio. His favorite roles include Straight White Men (as Matt); Spamalot (as Lancelot) and Dracula (as Dracula).

Tyler Andrew Jones (he/him)

Tyler Andrew Jones
Company Member

Bluebeard marks Tyler's debut at Bag&Baggage! As an actor, he was most recently seen as Matt in The Fantasticks, an Artist Repertory Theatre’s RA Project production that toured Egypt as a part of the CIFCET Festival; and stateside, as Jack in Into The Woods at Broadway Rose Theatre Company. His play, The Marks You Leave, produced in part with Ronnie Lacroute and the WillaKenzie Estate, premiered at the 20th Annual International New York Fringe Festival. Additionally, Tyler is the Associate Producer of the BLAQ OUT Festival, where this past summer he co-directed Apologies to Lorriane Hansbery... You Too, August Wilson. Film credits include; Nurse Ackerman in Stop and Go, which premiered at the 2021 SXSW Film Festival, which you can catch on demand and in select theaters October 1st! Tyler would like to thank Kailey, Samson, the whole Bluebeard ensemble of artists, and of course, Austin.

Claire Rigsby (she/they)

Claire Rigsby
Company Member

Claire holds a BA in Theatre Studies and Psychology from Emory University. She has also trained at the London Academy of Music and Dramatic Arts, and most recently with the Institute for Contemporary Performance in Portland, OR. This is Claire’s first show with Bag&Baggage, and she is thrilled to be part of such an amazing cast and creative team. You may have seen Claire bopping around town at Artists Rep, Portland Center Stage, Portland Playhouse, Oregon Children's Theater, or in a fountain in Peninsula Park with Portland Experimental Theater Ensemble’s ’20-21 Institute for Contemporary Performance cohort. Claire feels most alive when she’s devising experimental performance, and she is so thankful that you came to play! 

Kailey Rhodes (she/her)

Kailey Rhodes
Co-Director & Company Member

This is Kailey's directorial debut and first time working with Bag&Baggage, and she feels so honored to work alongside Samson and this incredible team to build a new world and way of experiencing theatre. Other companies Kailey has worked with include Portland Center Stage, Artists Repertory Theatre, Portland Playhouse, Third Rail, and Broadway Rose Theatre.

Rachel Routh (she/they)

Rachel Routh
Company Member

Rachel holds a Bachelor of Fine Arts in Theatre Arts from Southern Oregon University, where they also minored in both Shakespeare Studies and Gender, Sexuality, and Women’s Studies. This is Rachel’s first production with Bag&Baggage. Other companies with which they have worked include the Oregon Shakespeare Festival, Puppeteers for Fears, the Oregon Fringe Festival, and the GreenHaus Drag collective. Notable past roles include: Elektra (as Chorus); She Kills Monsters (Lilith/Lily); Cthulhu: The Musical (Cthulhu/Burt the Shoggoth); A Midsummer Night’s Dream (Oberon); Shakespeare’s Other Women (Rosaline/Hippolyta/Margaret); and As You Like It (Jaques). Most recently, Rachel voiced the character Willow on the podcast Average Folks, which is available wherever you listen to your podcasts. When she’s not making art in front of an audience, Rachel spends her time making art in front of her cat. She would like to give special shout-outs to Carlos-Zenen Trujillo, her parents, and the aforementioned cat, Hotspurr.

Samson Syharath (he/they)

Samson Syharath
Co-Director & Company Member

Samson Syharath is a Laotian-American actor, director, writer, and educator based in Portland, Oregon. After receiving a B.A. from the University of Arkansas – Fort Smith, Samson trained at the Portland Actors Conservatory. He was part of the Theatre Communications Group's Rising Leaders of Color Cohort in 2017 featured by American Theatre Magazine and was the recipient of the Portland Civic Theatre Guild’s Leslie O. Fulton Fellowship that same year. He is the Board President of the Portland Area Theatre Alliance (PATA) Board, Associate Producer of MediaRites, Managing Artistic Director of Theatre Diaspora and part of the PDX Accountability Collective

Crew & Production Team Bios

Jim Ricks-White† (he/him), Technical Director, Scenic & Lighting Coordinator

With over 30 years in theatre, Jim is pleased to be part of the staff here at Bag&Baggage, adding Production Manager to his duties as Technical Director and Lighting Designer. Jim has worked professionally as a Production Stage Manager and Stage Manager (Civic Light Opera Seattle, Spokane Interplayers, Stumptown Stages); Technical Director, Lighting and Set Designer (Innovation Theatreworks, Tower Theatre, Portland Actors Ensemble); Properties Artisan; and all-around Theatre Tech (the list goes on and on...) — in venues as small as 99-seat black box theaters, and as large as the Olympic Stadium for the 2012 London Olympics and Paralympics as well as lighting the World’s Largest Building, the Burj Khalifa in Dubai, for New Year’s Eve 2018. Basically, he has yet to meet a theatre tech job he didn’t like — or at least enjoy! Jim has also taught technical theatre at PCC Sylvania and has held numerous administrative positions in theatre during his career. In his free time, Jim loves to travel, explore great food, and enjoys working off steam swinging a Fly Rod on the river or Italian Military saber at his local HEMA gym, Sala delle Tre Spade. Jim looks forward to being able to help nail down some good storytelling and bring the 2021-2022 B&B Season to light!

Ephriam Harnsberger† (he/him), Stage Manager

Ephriam completed his Bachelor of Fine Arts Degree in Omaha, Nebraska at Creighton University. This is his fifth season with Bag&Baggage as stage manager for over 20 productions and events. Ephriam is thrilled to work alongside the incredible cast and crew of Bluebeard. When he is not wandering about the stage, Ephriam also enjoys cooking, camping, kazoo-ing, and singing silly songs with his sisters. He would like to thank Bag&Baggage, Nik, Rosemary, and his parents.

Signe Larsen† (she/her), Production Designer

Signe Larsen
Production Designer

Signe Larsen is a lifelong Portlander with a BFA in Acting from Cornish College of the Arts in Seattle. She wears many hats on and offstage. You may have seen her onstage with Bag&Baggage as Madge in The Game’s Afoot/Holmes for the Holidays; Tybalt in Romeo&Juliet (Layla&Majnun), for which she won the BroadwayWorld regional award for Best Featured Actress in a Play; She was also seen in As You Like It, Coriolanus and Rope. Bluebeard is her first role with B&B as Production Designer. When she is not acting and choreographing stage combat, she can be found working as a makeup artist, in costume shops, playing music, and creating visual art pieces. She plays many instruments including Violin, and enjoys spending her free time knitting, hanging out with her cats, and spending rainy days visiting thrift stores. 

Josie Seid (she/her), Costume Designer

Josie Seid
Costume Designer

Josie is an international creator of theater arts who moves in several circles. Her love for all things theater began with costuming and she's excited to revisit those roots!

As a proud member of the LineStorm Playwrights Collective, she is the author of Petite Dames, which was nominated for the Kilroy list in 2015 and was recently workshopped at Lewis and Clark’s Ray Warren Symposium on Race and Revolutionary Struggle. She is also written for film such as See Me and Forget Me Not, America as part of Artist Rep's Mercury Company; and Being Me in the Current America for MediaRites.

Other works include: Path of Glory, The Great God of the Dark Storm Cloud, Jordan’s Wisdom, Overdue, Stand by Me, and This is Message Number 13. Her short play, A Wing and a Prayer was recently featured in the nationwide Play At Home project. 

She is a resident artist with Artists Repertory Theatre and has performed in shows on Portland area stages such as: An Octoroon with Artists Repertory Theatre,  Men on Boats with Third Rail, and  Into the Woods with Broadway Rose. She is also an international arts envoy who has performed in Cairo and Alexandria, Egypt.

Josie has also directed productions in Portland including two world premieres: Hazardous Beauty with PassinArt and A Dark Sky Full of Stars with Vertigo.

† = B&B Company Artist, sponsored by Linda Morrisson and Andrew Hoffmann

About Bag&Baggage

Mission Statement

The mission of Bag&Baggage Productions is to unpack the stories we carry with us — from anecdotal to epic; from original to classic — using these as the groundwork to create transformative theatrical experiences that explore our shared humanity. Our home base is The Vault Theater in Downtown Hillsboro, and we are proud to be part of the vibrant community in our corner of Washington County.

The Ground We're On...

Bag&Baggage is a predominantly white institution, located in a state that was founded on anti-Indigenous and anti-Black practices; it is crucial to acknowledge we are here today as a result of the sacrifices forced upon the lives and narratives of these people. We particularly reflect on the original inhabitants and caretakers of the land on which The Vault Theater now sits: the Atfalati Kalapuyans, also called the Tualatin people, who today are members of the Confederated Tribes of Grand Ronde. In addition to occupying their land, we have been complicit in erasing their stories. We recognize the land itself, with gratitude for the way it supports and sustains us - past, present, and future. We also recognize the stories of those who have been enslaved, marginalized, and colonized in the name of building wealth; their oppression has allowed institutions like our theatre to exist today. In remembering these communities, we honor their legacy, their lives, and their descendants.

If you’d like to learn more about the history of what is now Hillsboro, please visit our friends at Five Oaks Museum and their virtual exhibit, This IS Kalapuyan Land. 

If you’d like to help redistribute resources back into indigenous communities, please consider making a donation to Native Arts and Cultures Foundation (NACF) or Native American Youth and Family Center (NAYA).

Show Details

Welcome to Bluebeard’s Estate.

The Rules: 

  • No phones, please.
  • Please wear a mask when outside of your vehicle or interacting with someone outside of your car. 
  • You will be given a gift with an Object and a Flashlight upon entrance. 
    • The Object will be requested during your out-of-car exploration. 
    • The Flashlight will aid you on your Excursion, and be collected as you drive away (as well as any wayward Objects you still carry). 

The Cars: 

  • Park your car’s nose slightly angled towards the center of the field. This will improve your viewing experience. 
  • Tonight’s audio is experienced through your FM radio, similar to a drive-in movie. Please turn your engine off, but keep your radio on. You may wish to occasionally start your car to protect your battery. 
  • If you are comfortable, we invite you to roll down your windows, unbuckle your seatbelts, and face the field. 
  • Do not move your car until explicitly instructed at the end of the performance. 
  • If you need to leave early, please turn on your hazards. Someone will come speak with you. Out of safety for our cast members, please do not honk your horn.

The Excursion:

  • A light on your car corresponds with a colorful invitation to exit your vehicle to explore elsewhere. 
  • Someone will collect you for your Excursion. At that time, please make sure your car is turned off.
    • You do not have to exit your vehicle; there will still be something for those in their cars to see. 
  • You are invited to explore and even touch objects and sets, but do not move or change what you find. Do not touch cast members.
  • If you are asked to do something, it is a genuine request. 
  • No running. But you may walk quickly. Use your flashlight. You won’t be late!
  • Once you return to your vehicle, do not depart yet. Resume your radio and wait until directed to leave. 

The Rumors:

  • Who’s to say?
Bag&Baggage Staff
Nik Whitcomb, Artistic Director
Barry Carman, Development Manager
Grayson Ashford, Education Fellow
Marissa Sanchez, Patron Experience & Project Manager
Mandana Khoshnevisan, Technical Director
Venus Edlin, Social Media & Website Specialist
Ephriam Harnsberger, Company Manager
Bag&Baggage Board
Bianca McCarthy, Board Chair
Jincy Pace, Board Member
James Farwell, Board Member
Nik Whitcomb, Artistic Director
Christi Dodge, Board Member
Krystal Michaels Monroe, Board Member
Jelana Canfield, Board Member

Learnings & Notes

THANK YOU TO OUR CURRENT SPONSORS AND DONORS

Thank you to all our donors who made contributions between September 21, 2020 and September 21, 2021.  (Please email beth@bagnbaggage.org with any corrections.)

  • Evan Aldrete
  • AmazonSmile
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  • Chris Armstrong
  • Tina Arth
  • Marcia Baertlein
  • Alan Bahm
  • Janey Baker
  • Nena Baker
  • Mary Jo & Jim Bartels
  • Alice Bartelt & Paul Moore
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  • Kate & Thomas Bearden
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  • Leonard A. & Susan Magazine – Real Estats, Inc.
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  • Elizabeth Manser
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  • K. Marie Tyler
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  • Barbara Mason
  • Shirley Mason
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  • Bianca McCarthy
  • Mike & Laura McMurray
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  • Matthew Miller
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  • Edward Pacey
  • Scott & Brian Palmer
  • PGE Foundation
  • Justin Pot
  • Job Rabinowitz
  • Sherri Rae
  • Chris Raible
  • Molly Reed
  • The Regional Arts & Culture Council, including support from Washington County and Metro
  • Carol Reich
  • Meaghan Reid
  • Cynthia Rhoads
  • Kathleen Rhyne
  • Gary, Tina, & Caitlin Richard
  • Jackie Richens
  • Brenda & Ronald Ricks
  • Robert Rineer & Debbie Thomas
  • Ronni S. Lacroute Fund of the Oregon Community Foundation
  • Danielle & Jackson Ross
  • Matthew Rouse
  • Elaine Ruys
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  • Washington County CARES Program Fund of the Oregon Community Foundation
  • Ginny & Mark Watson
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  • Susan Weidkamp
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  • Jolene Wilson
  • Shirley & David Woodford
  • Joyce Woods

THANK YOU TO OUR CURRENT SPONSORS & PARTNERS

Cultural Coalition of Washington County

Cultural Coalition of Washington County

Hillsboro Chamber of Commerce

Hillsboro Chamber of Commerce

Hillsboro Community Foundation

Hillsboro Community Foundation

Hillsboro Oregon

Hillsboro Oregon

Kinsman Foundation

Kinsman Foundation

Le' Stuff Antique Mall & Appraisals

Le' Stuff Antique Mall & Appraisals

Meyer Memorial Trust

Meyer Memorial Trust

Miller Foundation

Miller Foundation

National Endowment For The Arts

National Endowment For The Arts

Oregon Arts Commission

Oregon Arts Commission

The Oregon Community Foundation

The Oregon Community Foundation

Oregon Cultural Trust

Oregon Cultural Trust

Paradux Media Group

Paradux Media Group

Portland Area Theatre Alliance

Portland Area Theatre Alliance

Regional Arts & Culture Council

Regional Arts & Culture Council

Theatre Communications Group

Theatre Communications Group

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