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Home > Playbills > The Complete Works of William Shakespeare (abridged) [Revised]

The Complete Works of William Shakespeare (abridged) [Revised]

June 13, 2021 by

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SPECIAL THANKS

Nancy Nye

Dave Miletich

Stacy Ahlberg

Alyssa McGhghy

Jason Moore

Tasha Lovell

Bill Rothschild

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Help us out by taking this brief, anonymous survey!

Cast Bios

Jacquelle Davis (she/her)

Jacquelle studied at Willamette University for her BFA  in Acting and Performance. This is Jacquelle’s second production with Bag&Baggage. You may have seen Jacquelle in Peter/Wendy (as Lost Boy). Jacquelle is a current member of Theatre Vertigo and No Filter Improv.  Other favorite roles include: That Pretty Pretty, Or, The Rape Play (Jane Fonda); The Delays (Haskell) and A View From the Bridge (Catherine). When Jacquelle is not on stage she works in the Mental Health and Addiction field as a Peer Support Specialist. She is currently training under Fight Choreographer Kristen Mun as an apprentice. Jacquelle would like to thank ALL OF US for enduring this last year. She would also like to send a big thank you to Cassie Greer and Yasmin Ruvalcaba for this opportunity. The excitement she has cannot be put into words. A huge shout out to Kristen Mun for putting swords in her hands and making her feel empowered and graceful. And lastly, all the love to her family, friends and the ever amazing Scotty Fisher.

Sammy Rat Rios (she/her)

Sammy Rat Rios received her B.F.A. in Theatre Studies from Southern Methodist University in Dallas, TX. A wearer of many hats, she has written, acted, directed, and designed for Dallas Theater Center, Kitchen Dog Theatre, Second Thought Theater, Prism Co., Original Practice Shakespeare Festival, and last but certainly not least, is delighted to make her debut at Bag&Baggage. She is an interdisciplinary theatre and visual artist having recently hauled her cats, rabbit, plants, and painstakingly curated postmodern possessions cross-country to the good ol’ PNW in Portland, OR. Rat is a songwriter/producer for her SUPER COOL 80s New Wave solo project, and composes original music for podcasts and film

Rae Davis (they/them)

Rae Davis received a Bachelor of Fine Arts in Acting from Western Oregon University (2017). Rae Davis is thrilled to be welcomed back to Bag&Baggage to play outside for a live audience again! Other noteworthy performances by Rae Davis include roles in The Legend of Rock Paper Scissors (as a myriad of characters such as Role of Tape In Plastic Dispenser); Jane Doe in Wonderland (as Alice) and more recently Hamlet (as Hamlet). A few of the other theatres Rae Davis has been lucky enough to be a part of include Valley Shakespeare Company, Oregon Children’s Theatre and Game Over. When Rae Davis is not on the stage, they are house cleaning, playing music or making an assortment of crafts with as many strange trinkets they can get their hands on.

Crew & Production Team Bios

Cassie Greer (she/her), Director

Cassie has worked and played at Bag&Baggage in various capacities since 2011, and as Artistic Director since 2019. She received her training in the MFA Acting program at Florida Atlantic University; the BA Theatre program at Goshen College in Indiana; and in the 9th Certification Group of Fitzmaurice Voicework® instructors. In addition to acting, directing, coaching, and teaching around the country, she has collaborated on more than 35 Bag&Baggage shows here in Hillsboro. Cassie is incredibly grateful to her family and friends for their continual love and support, and to the staff and artists of B&B for filling our space with their creative energy every single day.

Jim Ricks-White† (he/him), Technical Director, Scenic & Lighting Coordinator

With over 30 years in theatre, Jim is pleased to be part of the staff here at Bag&Baggage, adding Vault Facilities Manager to his duties as Technical Director and Lighting Designer. Jim has worked professionally as a Production Stage Manager and Stage Manager (Civic Light Opera Seattle, Spokane Interplayers, Stumptown Stages); Technical Director, Lighting and Set Designer (Innovation Theatreworks, Tower Theatre, Portland Actors Ensemble); Properties Artisan; and all-around Theatre Tech (the list goes on and on...) — in venues as small as 99-seat black box theaters, and as large as the Olympic Stadium for the 2012 London Olympics and Paralympics as well as lighting the World’s Largest Building, the Burj Khalifa in Dubai, for New Year’s Eve 2018. Basically, he has yet to meet a theatre tech job he didn’t like — or at least enjoy! Jim has also taught technical theatre at PCC Sylvania and has held numerous administrative positions in theatre during his career. In his free time, Jim loves to travel, explore great food, and enjoys working off steam swinging a Fly Rod on the river or Italian Military saber at his local HEMA gyms, Indes Western Martial Arts and Sala delle Tre Spade. Jim looks forward to being able to help nail down some good storytelling and bring the 2020-2021 B&B Season to light!

Ephriam Harnsberger† (he/him), Stage Manager

Ephriam completed his Bachelor of Fine Arts Degree in Omaha, Nebraska at Creighton University. This is his fourth season with Bag&Baggage as stage manager for over 20 productions and events. Ephriam is thrilled to work alongside the incredible cast and crew of The Ballad of Aurelie the Bold. When he is not wandering about the stage, Ephriam also enjoys cooking, camping, kazoo-ing, and singing silly songs with his sisters. He would like to thank Bag&Baggage, Nik, Rosemary, and his parents.

TS McCormick (he/him), Production Manager, Sound Coordinator

TS holds a Master of Fine Arts from Minnesota State University, Mankato and a Bachelor of Fine Arts from the University of Rhode Island. Over the past 20 years, his theatrical career has included acting, directing, construction, production, management, and education. TS has appeared on stage with Bag&Baggage in A Clockwork Orange (as Mr. Deltoid, Governor, and others) and As You Like It or, Love in a Forest (as Duke Frederick/Duke Senior). In addition, he has worked behind the scenes on Charles Dickens Writes a Christmas Carol, SOLO Fest, and Much Ado About Nothing as well as assisting with the construction and preparation of The Vault Theater. He often serves as Assistant Technical Director as well. Aside from Bag&Baggage, TS has worked locally with Clackamas Repertory Theatre, Pacific University, Northwest Theatre Workshop, and Vision8Studio. He has done work across the country for the Gamm Theatre, Colonial Theatre, Pendragon Theatre, 2nd Story Theatre, The Rhode Island Shakespeare Company, South Dakota Shakespeare Festival, and more. TS has spent more than a decade in both corporate and nonprofit management, working for companies ranging from entertainment to behavioral healthcare.

Mandana Khoshnevisan† (she/her), Costume Designer

Mandy received her B.A. and M.A. in English from Stanford University. She is a Bag&Baggage Resident Artist; in 2020 she played Judith in B&B’s audio version of Hay Fever and worked on several Sequestered Soliloquies, and in the in-person times at B&B, she choreographed A Clockwork Orange; and appeared in The Measure of Innocence (Ensemble), Romeo&Juliet/Layla&Majnun (Lady Capulet), Death and the Maiden (Paulina), Deathtrap (Helga), La Isla en Invierno (Doris), and Much Ado About Nothing (Margaret/Dogberry). Recent directing projects elsewhere include Teatro Milagro — virtual touring shows Blast Off!, Huínca, and ¡Huelga!, and Judge Torres in 2019 — and Funhouse Lounge, with the musical Triassic Parq. In addition to actor, director, and improvisor, Mandy has worn many backstage hats, working everywhere from up in the ceiling as Master Electrician to down in the orchestra pit as musician. Currently Mandy teaches children’s theater and Group Exercise online from home, and has been doing a whole lot of drawing these days. (She also wrote a book not that long ago, called Managed Mischief, about improvisation and creativity.)

Yasmin Ruvalcaba (she/her), Assistant Director

Yasmin holds a Bachelor of Arts from Williams College. This is Yasmin’s second Assistant Director role at Bag&Baggage, previously having worked on La Isla En Inviero/The Island in Winter. Yasmin has also assistant directed Wolf at the Door (Milagro) and La Ruta (Artists Repertory Theatre). Yasmin’s previous directing credits include, El Nogalar (Cap&Bells) and Ma Rainey’s Black Bottom (Cap&Bells), as well as several readings of Milagro Theatre’s, Ingenio Series.

Yasmin is currently working at Advance Gender Equity in the Arts (AGE) as the Operations Manager and at Centro Cultural as the Arts & Culture Coordinator. Her time is also spent working with Portland Center Stage as a teaching artist. Yasmin is an active writer in the community. Two of her monologues, Caremlita and Ruega Por Mi, are currently featured in Theatre Diaspora’s Here on This Bridge: The -ism Project. She also premiered her short film, El Jimador, last year in partnership with Bag&Baggage and Centro Cultural.

† = B&B Company Artist, sponsored by Linda Morrisson and Andrew Hoffmann

About Bag&Baggage

Mission Statement

The mission of Bag&Baggage Productions is to unpack the stories we carry with us — from anecdotal to epic; from original to classic — using these as the groundwork to create transformative theatrical experiences that explore our shared humanity. Our home base is The Vault Theater in Downtown Hillsboro, and we are proud to be part of the vibrant community in our corner of Washington County.

The Ground We're On...

Bag&Baggage is a predominantly white institution, located in a state that was founded on anti-Indigenous and anti-Black practices; it is crucial to acknowledge we are here today as a result of the sacrifices forced upon the lives and narratives of these people. We particularly reflect on the original inhabitants and caretakers of the land on which The Vault Theater now sits: the Atfalati Kalapuyans, also called the Tualatin people, who today are members of the Confederated Tribes of Grand Ronde. In addition to occupying their land, we have been complicit in erasing their stories. We recognize the land itself, with gratitude for the way it supports and sustains us - past, present, and future. We also recognize the stories of those who have been enslaved, marginalized, and colonized in the name of building wealth; their oppression has allowed institutions like our theatre to exist today. In remembering these communities, we honor their legacy, their lives, and their descendants.

If you’d like to learn more about the history of what is now Hillsboro, please visit our friends at Five Oaks Museum and their virtual exhibit, This IS Kalapuyan Land. 

If you’d like to help redistribute resources back into indigenous communities, please consider making a donation to Native Arts and Cultures Foundation (NACF) or Native American Youth and Family Center (NAYA).

Show Details & Photo Information

Oregon has officially reopened! We’re so excited, and we also want to make sure you’re feeling safe and comfortable at the show. Please maintain social distancing between yourself/your group and other audience members, and let us know if you need a mask or some hand sanitizer. 

Please silence your cell phones, but do feel free to take photos! If you post your pictures on social media, be sure to tag @bag_n_baggage and #BNBCompleteWorks, and credit the work of our artists.

Bag&Baggage Staff
Barry Carman, Development Manager
Grayson Ashford, Education Fellow
Marissa Sanchez, Patron Experience & Project Manager
Nik Whitcomb, Artistic Director
Mandana Khoshnevisan, Technical Director
Venus Edlin, Social Media & Website Specialist
Ephriam Harnsberger, Company Manager
Bag&Baggage Board
Nik Whitcomb, Artistic Director
Christi Dodge, Board Member
Krystal Michaels Monroe, Board Member
Jelana Canfield, Board Member
Bianca McCarthy, Board Chair
Jincy Pace, Board Member
James Farwell, Board Member

Learnings & Notes

The Complete Works of William Shakespeare: a list

The Complete Works* of William Shakespeare (in alphabetical order):

ALL’S WELL THAT ENDS WELL

ANTONY AND CLEOPATRA

AS YOU LIKE IT

THE COMEDY OF ERRORS

CORIOLANUS

CYMBELINE

HAMLET

HENRY IV, PART 1

HENRY IV, PART 2

HENRY V

HENRY VI, PART 1

HENRY VI, PART 2

HENRY VI, PART 3

HENRY VIII

JULIUS CAESAR

KING JOHN

KING LEAR

LOVE’S LABOR’S LOST

MACBETH

MEASURE FOR MEASURE

THE MERCHANT OF VENICE

THE MERRY WIVES OF WINDSOR

A MIDSUMMER NIGHT’S DREAM

MUCH ADO ABOUT NOTHING

OTHELLO

PERICLES

RICHARD II

RICHARD III

ROMEO AND JULIET

THE TAMING OF THE SHREW

THE TEMPEST

TIMON OF ATHENS

TITUS ANDRONICUS

TROILUS AND CRESSIDA

TWELFTH NIGHT

TWO GENTLEMEN OF VERONA

TWO NOBLE KINSMEN

THE WINTER’S TALE

 

*technically, these are just Shakespeare’s plays: his Complete Works also include sonnets and long-form poems… so… perhaps the title of this show is a *tiny* bit misleading… sorry!

Complete Works Director’s Notes by Cassie Greer

(photo by Casey Campbell Photography)

We’re back! Doing live theatre! After a pandemic! 

 

….how does this go again?

 

Either I haven’t written directors notes in 18 months and am out of practice, or my entire perspective has shifted and I no longer care about you (our “esteemed patrons”) needing to read words on a (digital) page when you could be experiencing the life that’s happening around you… probably a little of both… Either way, there’s not much for me to say about this show that will enhance your experience of it more than this:

 

• It’s so easy to get caught up in the whirlwind of being “back to normal” so I invite you to take just a moment for yourself to really enjoy and appreciate the fact that you’re here, watching live theatre again.

 

• If you don’t know the first thing about Shakespeare, don’t worry; and if you know lots about Shakespeare… well… please forgive us.

 

• This production of The Complete Works of William Shakespeare (abridged) [revised]  has been created through a highly collaborative process, and you, my friends, are the final piece of this grand collaboration.

 

When The Complete Works… premiered more than 30 years ago, The London Times called it “stupendous, anchorless joy”. What a review! I agree that this show is certainly stupendous, and, at least for me, it is beyond joyful; but I would also argue that far from being anchorless, it is firmly rooted in the now – in this moment that we’re sharing together. Thank you for being here to anchor us, and thank you for sharing our joy. I hope you have as much fun watching the show as we have had creating it for you! 

THANK YOU TO OUR CURRENT SPONSORS AND DONORS

Thank you to all our donors who made contributions between February 1, 2020 and June 21, 2021.  (Please email beth@bagnbaggage.org with any corrections.)

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THANK YOU TO OUR CURRENT SPONSORS & PARTNERS

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