Press Coverage

Interview with “A Tuna Christmas” Director: Hillsboro Herald

A Tuna Christmas Review: “a sweetness that balances on the head of a pin”

Glass Menagerie Review: “a truly touching rendition of the classic American play”

Ballad of Iron Jo Preview: Meaning and Music

Ballad of Iron Jo Preview: Send in the Puppets

Beginnings & Endings Review: “A wonderful success and tribute to the Bard”

Beginnings & Endings Review: Shakespeare, minimalist and feminist

Our Utopia preview in Oregon ArtsWatch

Red Velvet Review: “Bag&Baggage Productions Explores the Life of a Black Actor in a Slave-Owning Society”

red velvet

Red Velvet: Backstage Drama, Black Excellence, And The Echoes Of Theatre History

The Tempest: An interview on OPB’s “Think Out Loud”

The Last White Man: “Sharp and complex questions about ‘Hamlet'”

‘Danny and The Deep Blue Sea’ Review: Intimate, Traumatic, and Beautiful

(photo by Casey Campbell Photography)

A Night Out With Apples in Winter

“…70 minutes of some of the most intense emotional and physical theater I’ve ever experienced.”

Nik Whitcomb, a Black man with locks wears a gray and white striped shirt while smiling. He is standing in front of a row of windows.

Nik Whitcomb Named Bag&Baggage Artistic Director

B&B’s The Last White Man Defies Categorization by Tina Arth at Westside Theatre Reviews

“…there’s simply no excuse to miss this show.”: Westside Theatre Reviews loves Complete Works!

“…this production isn’t just theater—it’s a public service.”: Willamette Week adores Complete Works!

“one of the most cheering Portland-area productions to emerge during the pandemic.”: Willamette Weekly loves Aurelie!

“Loaded with both primitive charm and adult wit!”: Westside Theatre Reviews on Aurelie the Bold

Two New Podcasts Shake Up Local Theater by Looking Beyond Our Planet and Inside the Vast Expanse of the Human Mind

B&B’s Measure of Innocence a Timely Reminder

‘The Measure of Innocence’ turns a neglected Shakespeare play into a lesson in racial oppression

A (Brilliant!) Clockwork Orange at Bag&Baggage

“Frees our imagination”: Dennis Sparks is in AWE at Peter/Wendy

“Simply riveting”: Westside Theatre Reviews on Peter/Wendy

“Something really special”: Tina Arth GUSHES about The Island in Winter

“a perfect pate’ of delightful delicacies”: Dennis Sparks Reviews Bell, Book and Candle

“an entertaining collection of holiday gifts”: Oregon ArtsWatch recommends Bell, Book and Candle

“A delicious alchemical romance”: The Oregonian Loves Bell, Book and Candle

“A present you owe yourself”: Westside Theatre Reviews loves Bell, Book and Candle

“An ideal show”, Oregon ArtsWatch recommends Deathtrap for Halloween!

“First-rate!”, Dennis Sparks Reviews on Deathtrap

“Doesn’t miss a trick (or a treat)”: Westside Theatre Reviews is thrilled by Deathtrap

“The perfect play”: Oregon ArtsWatch loves As You Like It

Stay for the rom-com: The Oregonian reviews As You Like It

Lots to Love in This Forest!: Tina Arth praises As You Like It

“…tickets will sell out quickly…”: Tina Arth gives Blithe Spirit high marks

“…clever, polished, and energetic…”: Oregon ArtsWatch on Blithe Spirit

Spirit of the Idle Rich: Dennis Sparks praises Blithe Spirit

“…lingers long after the lights go out”, Westside Theatre Reviews on Death and the Maiden

The “Master” Race: Dennis Sparks praises Death and the Maiden

Death and the Maiden: Still True

Dickens Framed: Oregon ArtsWatch reviews ‘A Christmas Carol’

“I highly recommend this production”, Dennis Sparks praises ‘Charles Dickens’

A Christmas Carol Origin Story: The Oregonian reviews ‘Charles Dickens’

“Make time for this”, Tina Arth reviews Charles Dickens Writes A Christmas Carol

Thinking Outside the Bag: Vault vs. Venetian

“Go See It!” Broadway World Review of Farndale!

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